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The Musical Revolution
Academy of Music, University of Ljubljana
Exploring the musico-historical starting points of the composers of the Darmstadt School and their musical heirs.
Programme
Anna Thorvaldsdottir: Fields, for bass clarinet, percussion, piano, electric guitar, cello, double bass and electronics (2016)
Toshio Hosokawa: Birds Fragments IIIb, version for accordion and recorders (1990-1997)
Hans Abrahamsen: Efterarslied, for soprano, clarinet, violin, cello and piano (Autumn Song, 1992) Toru Takemitsu: Umi e, for alto flute and guitar (Toward the Sea, 1981)
Rebecca Saunders: Sole, for accordion, percussion and piano (2018)
• intermission -
Arnold Schönberg, Pierrot Lunaire, op. 21, excerpts (1912) for voice, flute, clarinet, violin, cello and piano
Salvatore Sciarrino: Esplorazione del bianco II, for flute, bass clarinet, guitar and violin (1986)
Luciano Berio: O King, for voice, flute, clarinet, violin, cello and piano (1968)
Richard Barrett, Codex XVI, for 6 or more improvising performers and electronics (2015)
In cooperation with the video, animation and new media students (Academy of Fine Arts and Design) and musicology students (Faculty of Arts)
.... ki boste izvedeli, katere koncerte, predavanja, gledališka in plesna gostovanja in drugo pripravljamo v Cankarjevem domu,