Arriving in good time
During the festive season in December, traffic tends to get heavily congested in Ljubljana. Visitors are advised to leave home earlier than usual to avoid arriving late.
Jesús Rubio Gamo & En–Knap Group & Zagreb Dance Company
The performance lasts 55 minutes and has no intermission.
Recommended for ages 12 and up (nudity scenes).
Together and by bus is more sustainable: take a Ljubljana public bus to see Gran Bolero Gala and enjoy a free ride by simply showing your ticket for the event to the driver.
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Just like Maurice Ravel's Bolero is a timeless classical composition, a musical ritual for an orchestra coming together as a musical community, the festive season’s Gran Bolero Gala is a dance ritual for two companies meeting as a dance community, and at the same time a communal ritual for everyone coming together as a social community. It is a ritual where bonds create unity through repetition and gradation results in a communal crescendo. Gran Bolero Gala is a spectacular, a dance that enraptures community through music, the community in turn enrapturing the stage, the event, the standout achievement.
In Gran Bolero (2023), six dancers from the En-Knap Group and six dancers from the Zagreb Dance Company revisit Ravel's score. A major co-production, the performance is an extension of an adaptation made for two Spanish dance companies, a production showered with critical praise and winner of numerous awards. Among others, it won the Premio MAX (Spanish Performing Arts Award) for Best Dance Production 2020. On their 2023 summer tour, the En-Knap and ZPA production sold out all major summer venues in the region, including the Križanke Summer Theatre as part of the Ljubljana Festival, the Veneranda Summer Theatre as part of the 62nd Hvarske ljetne priredbe Festival in Croatia, and the annual Purgatorije Festival in Tivat, Montenegro. During the autumn leg of their tour, Gran Bolero delighted the visitors of the VISAVÌ Contemporary Dance Festival in Gorizia (IT).
Ravel’s Boléro (1928) is a classical composition that is anything but classical. The entire orchestra, all instruments, contrary to convention, finely attuned to one another and in synch for one big crescendo in C Major with some strategic doublings, conceptual jumps, one big repetition, or escalation, lasting a good quarter of an hour, based exclusively on a two-bar rhythm with 169 repeats. Ostinato, the very rhythm that will dominate the 'mechanical' music and 'club' dancefloors in the second half of the 20th and the first half of the 21st centuries. The adjective 'mechanical' has not been utilised by chance. The inner 'logic' of the composition is 'mechanical', a reduction with repetition. This is a repetition that produces minimal differences, 'small variations and details inside the repetition'– a repetition, or escalation, that is exhausting but never exhausts itself. Repetition as looping.
The festive season’s Gran Bolero Gala is an orchestration, the instrumentation of two groups, relations, relationships between groups and within a group, through repetition as looping, or escalation, for community to emerge – its bond, tissue, limit, surplus – precisely in the tension of that 'more!', that drive, that persistence, that exhaustion that never exhausts itself. Gran Bolero Gala proves that repetition doesn't kill, but – saves.
“My work combines mathematical structures with sensorial intensity. I like to compose formal architectures of the body that allow emotion to burst. I love to explore small variations and details inside repetition, to look at the rhythmic possibilities of simple actions.”
Jesús Rubio Gamo
“The ritual of transformation of the human, dancing community lasts about fifty minutes, in a precise, meticulous gradation, a spiral repetition of patterns, with the chemistry of the body, partnership, intimacy seeping, leading slowly, spontaneously to a bursting, peeling of layers, shedding of tight clothes from strained body membranes, surrendering to the ecstatic pleasure of a community of equal, sweaty bodies, burning out.”
Maja Đurinović, Plesna scena, April 2023
"... Jesús Rubio Gamo and his dancers effectively enriched (Bolero) and conjured up the illusion of dance as a timeless window onto man’s inner recesses and feelings, human loneliness and desire for coexistence. He has thus rendered substance to another one of his statements: 'Dance gives hope to the body. Music transforms time into something better'."
Damijan Vinter, Večer, Avgust 2023
En–Knap
En–Knap (1994) was founded by dancer and choreographer Iztok Kovač. Throughout the years it has been active as a dance group, a production house and a professional, permanent ensemble (since 2007), making it the oldest ensemble for contemporary dance in Slovenia. The international ensemble is selected through an international audition. En–Knap boasts a curated, meticulous repertoire and a consistent, research aesthetic – in collaboration with internationally renowned choreographers and directors of diverse aesthetic traditions – as well as regular international touring. En–Knap manages the Španski borci Cultural Centre in Ljubljana (since 2009), which is both the ensemble's home base and the largest venue in Slovenia dedicated to the development of contemporary dance. En–Knap develops stage and film production, both at the intersection with an intensive exploration of virtual reality and technology through Stage 360 (since 2019). Over the years, En–Knap has created more than 100 dance performances, 12 dance films, 10 virtual reality projects, and collaborated with over 600 artists. The company has performed over 600 guest performances in more than 30 countries and earned more than 20 awards.
En–Knap Group
En–Knap, founded in the 1990s by choreographer Iztok Kovač, gave birth to the international dance company En–Knap Group in 2007, which has been the only professional contemporary dance ensemble in Slovenia since its establishment. The group, which consists of dancers from all over the world selected at an international audition, boasts an exceptional repertoire, created in collaboration with internationally renowned choreographers and directors from highly diverse aesthetical backgrounds.
Since its establishment, the company has worked with over 30 Slovenian and international choreographers and theatre directors, and created 26 full-length stage productions and a dance film. The company tours internationally with their repertory, and makes over 50 annual appearances nation-wide.
Jesús Rubio Gamo (1982) is an independent dancer and choreographer based in Madrid. After studying ballet, contemporary dance, theatre and literature, Jesús was awarded with a MAE-AECI grant to develop dance studies in a foreign country. He moved to London where he completed an MA in choreography at London Contemporary Dance School (Distinction). His work has been presented at Festivals such as Chantiers d’Europe (Théâtre de la Ville-Paris), Dancenet Sweeden, The Greenwich and Docklands International Festival (London), FAEL (Lima), Les Plateaux (La Briquetterie-Paris), Birmingham International Dance Festival, ARC for Dance (Athens), International Theatre Amsterdam, Hay Festival or Romaeuropa Festival. Jesús was selected two years in a row (2017 and 2018) by the Platform Aerowaves as one of the most relevant 20 young choreographers in Europe. In 2020 the Spanish National Radio presented him with the el OJO CRÍTICO Prize for his achievements in dance.
Zagrebški plesni ansambel (Zagreb Dance Company)
Since its foundation, the renowned contemporary dance company, Zagrebški plesni ansambel (the only permanent contemporary dance group in Croatia) has remained uncompromising in its artistic expression. The Zagreb Dance Company has trained a number of dancers and dance experts who are now working in Croatia and abroad. The Company has an enviable continuity of its work, and has performed at all important festivals in Croatia and internationally. Zagreb Dance Company has gained renown for the originality of its productions which are characterised by the performative energy and the unique readiness to face the challenges of different artistic approaches and poetics. Abroad, the Company has taken part in important festivals and events across Europe, as well as Mexico, Egypt, Korea and Israel. The company continually works on professional education of its dancers, through collaboration with renowned Croatian and international choreographers and pedagogues.
The programme of En–Knap Productions, administrator of Španski Borci, is financially supported by: City of Ljubljana – Department of Culture, which also supports Španski Borci activities, and the Ministry of Culture of the Republic of Slovenia
The programme of Zagreb Dance Company is financially supported by: City of Zagreb, the Ministry of Culture and Media of the Republic of Croatia, and created in co-production with ZKM – Zagrebačko kazalište mladih / Zagreb Youth Theatre
16,00 | 18,00 | 22,00 | 25,00 EUR
14,00 | 15,00 | 18,00 | 22,00 EUR * * EUR for younger than 25 and older than 65, as well as pensioners.
Concept and Choreography: Jesús Rubio Gamo
Assistant Choreographer: Alicia Cabrero
Assistant Choreographer in Slovenia and Croatia Clara Pampyn
Izvajalci En–Knap Group (Nika Zidar, Mattia Cason, Tina Habun, Davide Lafabiana, Tamás Tuza, Carolina Alessandra Valentini) and Zagreb Dance Company (Luna Lilek, Nika Lilek, Silvija Musić, Endi Schrötter, Linda Tarnovski, Karlo Topolovec)
Glasba José Pablo Polo, na osnovi glasbe Boléro (Maurice Ravel)
Oblikovanje svetlobe Leon Curk, David Picaza
Sound edit: Gal Škrjanec Skaberne
Costume design: Katarina Markov (Atelje d.o.o.)
Photography: ZKM Jelena Janković
Text and editing: Dražen Dragojević
Production: Zavod En–Knap and Zagreb Dance Company