9 Mar 19:00

Little Trouble Girls (Kaj ti je deklica)

Slovenia, Italy, Croatia, Serbia, 2025, 89’
Director: Urška Djukić

Director: Urška Djukić
Screenplay: Urška Djukić, Maria Bohr 
Cinematography: Lev Predan Kowarski 
Editing: Vlado Gojun 
Cast: Jara Sofija Ostan, Mina Švajger, Saša Tabaković, Nataša Burger, Staša Popović, Mateja Strle, Saša Pavček 
Production: SPOK films, Staragara (Jožko Rutar, Miha Černec) 

Urška Djukić’s debut feature film Kaj ti je deklica premiered in Berlinale’s Perspectives Competition this February. Perspectives, Berlinale’s a new international competitive strand for fiction feature debuts, shines a spotlight on new filmmakers. The features represent an international range of voices who have a bold and fluent cinematic language and offer arresting perspectives and new ways of seeing the world.

The film focuses on introverted 16-year-old Lucia, who joins her Catholic school’s all-girl choir, where she befriends Ana-Maria, a popular and flirty third-year student. But when the choir travels to a countryside convent for a weekend of intensive rehearsals, Lucia’s interest in a dark-eyed restoration worker tests her friendship with Ana-Maria and the other girls. As she navigates unfamiliar surroundings and her budding sexuality, Lucia begins to question her beliefs and values, disrupting the harmony within the choir.
 

After spending six years making Little Trouble Girls, I'm really looking forward to the Berlin premiere! I would like to take this opportunity to thank the entire film crew, especially everyone who fervently believed in this project, who selflessly supported me and made this film hand in hand with me. I hope the film reaches as many viewers as possible, allowing them to feel the deeper beauty and power of filmmaking.
Urška Djukić

The film is co-produced by Staragara IT (Italy), 365 Films (Croatia), Non-Aligned Films (Serbia), and Nosorogi and OINK (both Slovenia). The associate producer is Sister Production (France).

The film is supported by the Slovenian Film Centre, Eurimages, RTV Slovenija, Viba Film, Ministero di Cultura – Direzione Cinema e Audiovisivo in Italy, FVG Flm Fund, FVG Film Commission, Croatian Audiovisual Centre, Film Centre Serbia, RE-ACT Joint Development Fund, Region Nouvelle Aquitaine and Creative Europe MEDIA. The film is sponsored by Arri’s International Support Program and GO Nova Gorica/Gorizia European Capital of Culture 2025.


Urška Djukić – filmography (selection)
Dober tek, življenje! (2016, kratki), Lovka (2019, kratki), The Right One (2019, kratki), Babičino seksualno življenje (2021) 


 

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Little Trouble Girls (Kaj ti je deklica)

9 Mar 19:00
11 Mar 19:00
22 Mar 19:00
23 Mar 17:00
26 Mar 17:00
30 Mar 17:00
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6,50 EUR

5,50 EUR * * EUR for younger than 25 and older than 65, as well as pensioners.

28 Mar 19:00

Praslovan

Slovenia, B&H, Croatia, Serbia, 2024; 112' DCP
Director: Slobodan Maksimović

Screenplay: Slobodan Maksimović 
Cinematography: Rožle Bregar 
Editing: Jurij Moškon 
Cast: Zoran Predin, Oto Rimele, Karpo Godina, Boris Bele, Đorđe Balašević, Boris Cavazza, etc. 

An emotional and inspiring biopic, Praslovan follows the life and career of Zoran Predin, one of former Yugoslavia’s most important singer-songwriters. The film traces Predin’s journey from his youth in Maribor, where he started playing music, to the height of his fame with the band Lačni Franz and his solo career, which made him a music scene icon.

 

Zoran’s Naj ti poljub nariše ustnice was the first song of his that I heard. As a native Sarajevan, I didn't understand more than the chorus, but I felt the brutal rhythm and the unusual melodicism of Zoran's velvety voice so strongly that I instantly fell in love. Borrowing the words of the writer Miljenko Jergović, one of the interviewees in our film: it’s an essential truth that no one in the history of the Slovenian language has encouraged its spread across five or six countries as strongly as Zoran. A large number of people began learning Slovenian because of Zoran Predin. To understand his lyrics. It’s still happening today.
Slobodan Maksimović, MMC
 

 

Zoran was a member of the new wave of Yugoslav rock music. The film outlines this period, the events, the emergence of the movement within the system, how the system influenced Predin's music. The film will prove highly informative both for the viewers who remember that period and those who don't know anything about it. Slobodan Maksimović

 

Slobodan Maksimović – filmography (selection)
Štiri skice za portret Janeza Drozga (2008), Hvala za Sunderland (2012), Tehnika ljudstvu (2015), Od Soče do Sočija (2015), Nika (2016), Kapa (2022) 

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Praslovan

28 Mar 19:00
29 Mar 19:00
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6,50 EUR

5,50 EUR * * EUR for younger than 25 and older than 65, as well as pensioners.

Past event
8 Feb 2025 17:00

Every good story is a love story (Vsaka dobra zgodba je ljubezenska zgodba)

Slovenia, Croatia, 2017, 71'
Directed by: Matjaž Ivanišin, Rajko Grlić

Written by: Rajko Grlić, Matjaž Ivanišin 
Photography: Matjaž Ivanišin, Lev Predan Kowarski, Darko Sinko, Rajko Grlić, Marko Brdar, Marko Cafnik, Matjaž Mrak
Music: Drago Ivanuša 

Production: Vertigo

A documentary about the making of the theatre performance Boris, Milena, Radko and the four very famous people behind the production, the writer and director Dušan Jovanović, the actress Milena Zupančič and the actors Radko Polič and Boris Cavazza; a story about a love triangle and the multi-layered, entirely undisguised interlacement of the protagonists’ public personas and personal lives.
 

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Every good story is a love story (Vsaka dobra zgodba je ljubezenska zgodba)

8 Feb 2025 17:00
8 Feb 2025 17:00
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Today
22 Feb 17:00

Hamlet

UK, USA, 1996, 242’
Directed by: Kenneth Branagh

Written by: Kenneth Branagh, after William Shakespeare
Cinematography: Alex Thomson 
Music: Patrick Doyle 
Cast: Kenneth Branagh, Julie Christie, Kate Winslet, Judi Dench, Gérard Depardieu, John Gielgud, Jack Lemmon, Robin Williams... 


The only unabridged cinematic adaptation of Hamlet. Kenneth Branagh’s version is famous for being the only integral version of the play, running just over four hours. Branagh makes bold directorial choices, putting his unique stamp on the adaptation, a lavishly produced spectacle set in the 19th century but retaining the original Elizabethan English. 

Branagh’s version is faithful to the original play, published in 1623, but uses modern narrative techniques, numerous flashbacks, to variegate the narrative and depict scenes that are only described in Shakespeare but not performed, such as Hamlet's childhood friendship with Yorick, or scenes that the play only alludes to, such as Hamlet's sexual relationship with Ophelia. 

Hamlet premiered at the 1996 Cannes Film Festival and went on to win four Academy Award nominations. It will be screened in two parts with an intermission.
 

I think, I hope the way we have produced our vision is different and original. With things like Shakespeare, and Hamlet in particular, I think it's hard to claim any originality. I feel as though everything' s probably been done by minds much greater than mine, but we at least in choosing, for instance, to set it in a kind of impressionistic 19th century, in a much more colourful way than is perhaps usually done. Hamlet seems to be perceived as a very dark and Gothic play where all the characters are sort of predisposed to be manic-depressives.
Kenneth Branagh

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Hamlet

16 Feb 17:00
22 Feb 17:00
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6,50 EUR

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15 Jan 2025 20:00

Dušan Jovanović – Cultural Terrorist
Cancelled or postponed

Patricija Maličev in conversation with Jovanović's colleagues and companions – Milena Zupančič, Saša Pavček, Bjanka Adžić Ursulov and Ljubiša Ristić.

Production of the exhibition Dušan Jovanović – Cultural Terrorist: Slovenski gledališki inštitut (Slovenian Theatre Institute) and Cankarjev dom
 

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Dušan Jovanović – Cultural Terrorist

15 Jan 2025 20:00
15 Jan 2025 20:00
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Free entrance

23 Feb 17:00

Bob Dylan: A Complete Unknown

USA, 2024, 141'
By: James Mangold

Written by: James Mangold, Jay Cocks, based on Elijah Wald’s Dylan Goes Electric! 
Cinematography: Phedon Papamichael 
Cast: Timothée Chalamet, Elle Fanning, Edward Norton, Monica Barbaro, Scoot McNairy 
Distribution: Blitz


Mangold’s biopic follows Minnesota musician Bob Dylan's meteoric rise as a folk singer, from the early 1960s when he arrived in New York to visit the ailing Woody Guthrie, to concert halls and the top of the charts – culminating in his groundbreaking electric rock and roll performance at the Newport Folk Festival in 1965. 
Dedicated to the formative years of the "voice of a generation", with lead actor Timothée Chalamet performing Dylan’s songs himself, the musical drama focuses on the era-defining star’s early complicated romantic relationships with Sylvie Russo and Joan Baez, as well as his relationship with his fans and the press, which he made a point of avoiding. 

I don’t feel pressure to define Bob for the ages and all his work over decades. I’m just talking about the moment that this guy blossomed, he became empowered, and then moved on. And where he moved to is either another movie or another writer’s business.
James Mangold

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Bob Dylan: A Complete Unknown

24 Jan 19:00
25 Jan 19:00
31 Jan 20:00
1 Feb 19:00
5 Feb 17:00
7 Feb 19:00
23 Feb 17:00
28 Feb 19:00
2 Mar 17:00
27 Mar 19:00
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6,50 EUR

5,50 EUR * * EUR for younger than 25 and older than 65, as well as pensioners.

Past event
23 Jan 2025 19:00

From Hilde, with Love (In Liebe, Eure Hilde)

Germany, 2024, 124'
Directed by: Andreas Dresen

Screenplay: Laila Stieler
Cinematography: Judith Kaufmann
Cast: Liv Lisa Fries (Hilde Coppi), Johannes Hegemann (Hans Coppi), Lisa Wagner (Anneliese Kühn), Alexander Scheer (duhovnik Harald Poelchau), Emma Bading (Ina Ender-Lautenschläger), Sina Martens (Libertas Schulze-Boysen), Lisa Hrdina (Grete Jäger), Lena Urzendowsky (Liane Berkowitz), Hans-Christian Hegewald (Albert Hößler), Nico Ehrenteit (Harro Schulze-Boysen), Jacob Keller (Heinrich Scheel)
Producent: Pandora Film Produktion
Distribution: Cinemania
 

A drama based on the lives of real Nazi resistance fighters, foregrounding the quiet strength of a young woman defying the regime in Nazi prisons with a principled stand and a belief in human kindness.

Berlin, 1942. The inconspicuous, kind and compassionate Hilde with no interest in politics to speak of, gradually finds her place in the resistance group which will come to be known as the "Red Orchestra". Hilde falls in love with the slightly shy Hans, flourishes and, in spite of the constant danger to her life, is happy for a summer. When the Gestapo arrest members of the group in the autumn, the pregnant Hilde is among their number. In prison, she develops unexpected strength, giving birth to her son and keeping the memory of her beloved husband alive. With her principled moral stand, Hilde becomes the face of all those Germans who refused to embrace the delusional ideology of the Third Reich.

We tried to create human beings and avoid stepping into the cliches of the Nazis. When we create human beings you can compare with them, and decide 'Which side would I have been on? Would I have been a kind of opportunist working for the Nazis or would I have joined the Resistance fighters, even if was dangerous?' /…/ It would be nice if the audience thought about how they react to things going on in our society right now: this is not just a period movie.
Andreas Dresen

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From Hilde, with Love (In Liebe, Eure Hilde)

9 Jan 2025 19:00
23 Jan 2025 19:00
9 Jan 2025 19:00
23 Jan 2025 19:00
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6,50 EUR

5,50 EUR * * EUR for younger than 25 and older than 65, as well as pensioners.

Past event
26 Jan 2025 17:00

The Girl with the Needle (Pigen med nalen)

Denmark, Sweden, Poland, 2024, 115'
Directed by: Magnus von Horn

Screenplay: Line Langebek Knudsen, Magnus von Horn
Cinematography: Michal Dymek
Music: Frederikke Hoffmeier
Cast: Vic Carmen Sonne (Karoline), Trine Dyrholm (Dagmar), Besir Zeciri (Peter), Ava Knox Martin (Erena), Joachim Fjelstrup (Jorgen), Tessa Hoder (Frida), Ari Alexander (Svendsen), Per Thiim Thim (Olaf Jensen), Soren Satter-Lassen, Dan Jakobsen, Anna Tulestedt, Thomas Kirk, Benedikte Hansen (Peter Secher Schmidt), Agnieszka Przyborowska-Mitrosz
Producent: Nordisk Film Production & EC1 & Lava Films & Lower Silesia Film Centre & Film i Väst
Distribution: Fivia d.o.o.


The Girl With The Needle is inspired by true events surrounding the most controversial murder case in Danish history.

Karoline, a young factory worker, finds herself abandoned and pregnant while striving to climb out of poverty in post WWI Copenhagen. Amidst her struggles, she meets Dagmar, a charismatic woman running a hidden adoption agency within a candy store, helping poor mothers in finding foster homes for their unwanted children. To escape poverty, Karoline takes on the role of a wet-nurse. A strong connection is formed between the two women, yet Karoline's world shatters as she stumbles upon the dreadful revelation of the nightmarish fate she unknowingly embraces.

The main character, Karoline, is struggling to find a better life. But what is the right way of doing so? A cold world creates cold methods and Karoline's moral compass easily loses direction. The good looks bad and vice versa. We follow Karoline on a journey trying to escape poverty where she learns that it is easy to flirt with the devil but it takes a big effort to love. For a woman like Karoline, life becomes a living hell - and with this film I wanted to explore if it is possible to be good in hell.
Magnus von Horn

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The Girl with the Needle (Pigen med nalen)

8 Jan 2025 19:00
17 Jan 2025 17:00
21 Jan 2025 19:00
26 Jan 2025 17:00
8 Jan 2025 19:00
17 Jan 2025 17:00
21 Jan 2025 19:00
26 Jan 2025 17:00
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6,50 EUR

5,50 EUR * * EUR for younger than 25 and older than 65, as well as pensioners.

27 Feb 19:00

The Room Next Door

Directed by: Pedro Almodóvar
Spain, USA, 2024, 110'

Screenplay: Pedro Almodóvar, Sigrid Nunez 
Cinematography: Eduard Grau
Music: Alberto Iglesias
Cast: Tilda Swinton (Martha), Julianne Moore (Ingrid), John Turturro (Damian Cunningham), Alex Hogh Andersen, Alessandro Nivola, Esther McGregor, Melina Matthews, Juan Diego Botto, Victoria Luengo
Producent: El Deseo
Distribution: Blitz film & video distribution d.o.o.

 

Pedro Almodóvar won the Golden Lion at this year's Venice Film Festival for his first English-language feature, dealing with the controversial topic of euthanasia.

Ingrid and Martha have been close friends since their youth, when they worked together at the same magazine. Ingrid went on to become an autofiction novelist while Martha became a war reporter. Eventually, they were separated by the circumstances of life. After years of being out of touch, they meet again in an extreme situation. Martha is in the hospital fighting a battle with cancer. Her illness is serious: she's undergoing a highly experimental immunotherapy treatment, but her chances are slim. She wants to find a house upstate and end her life in peace - but she wants Ingrid to come with her, and to be in the room next door when it happens. 
 

People talk a lot in my films. Among all the narrative elements, it is the actors who really tell the story. In The Room Next Door Tilda Swinton and Julianne Moore carry the weight of the whole film on their shoulders, and they are a spectacle. I have been fortunate in that both give a veritable recital. At times during shooting, both the crew and I were on the verge of tears watching them. It was a very moving shoot and, in some way, blessed.
Pedro Almodovar

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The Room Next Door

15 Jan 17:00
19 Jan 17:00
29 Jan 19:00
27 Feb 19:00
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6,50 EUR

5,50 EUR * * EUR for younger than 25 and older than 65, as well as pensioners.

17 Dec 2024 18:00

Tomato Košir: A job or a vocation?

My profession gives me the privilege of not only serving the traditional client — an organization — but also, occasionally, the public. Specifically, I respond when the engagement of civil society is needed. A visual commentary has to be quick, clear, and hopefully not banal. In a time when we are overwhelmed with messages, the speed of communication is the greatest advantage of visual commentary.
It can communicate up to 30.000-times faster than the written word. In the book »Visual Commentary,« I have gathered over 120 commentaries since the year 2000, going back to my student years when I created my first anti-war poster, Rifle War Wear. While exhibitions leave significant marks in time, a book serves as a more enduring document. »Visual Commentary« provides a visual overview of the past two decades, which have been anything but good.
Although my contribution is relatively small, my motto since high school has been: Contribute as much as you can and do not diminish the contributions of others. Every day, my classmates and I would read, or at least subliminally perceive, Plečnik's inscription on the facade of the Secondary School for Design and Photography in Križanke: »You are fleeting; only your works remain.« Plečnik could not have given a more fitting message in his last creation. The turbulent events of the past decades have not fuelled my work, but they have engaged me as a citizen. Having the knowledge and skills of visual communication at my disposal, 
I feel responsible to use them. After all, designing visual messages is a vocation, not merely a job, is it not?
As I return to teaching after a long break this year, my natural instinct has urged me to approach my work introspectively, and even more so, to evaluate the formative history of our society. A visual introspective. This is not about a portfolio; it is about visual stimulation that can serve as a madeleine to encourage self-reflection, 
or as a means to contextualise recent times.


 

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Tomato Košir: A job or a vocation?

17 Dec 2024 18:00
17 Dec 2024 18:00
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