The screening will be followed by a discussion on environmental issues. 

St. Helena, a remote volcanic island located in the South Atlantic Ocean, sat mostly barren for its first million years, until it was radically transformed by Victorian naturalists into a tropical paradise via a process of 'terraforming'. The strategic position of the island for travellers bound for South America or Asia had been recognised, and the island’s ecology significantly reshaped through artificial creation of biodiversity to fit the demands of self-sufficiency at the expense of what existed before. In the 21st century, scientists return to the 'scene of the crime' as they search for further answers relating to the process of geo-engineering the entire planet and colonizing new planets. TerraForma is an eye-opening reflection on the invasive encroachment on untamed habitats. 

David Tretjak, horn
Maja Klinar, piano
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Ana Miculinić, cello
Sven Brajković, piano

Programme:
Francis Poulenc, Elegy for horn and piano
Richard Strauss, Horn Concerto No. 1 in E-flat major, Op. 11
Richard Strauss, Andante for horn and piano
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Dina Slama (1941), Chant for Violoncello 
Johannes Brahms, Cello Sonata No. 1 in E minor, Op.38 
Moritz Laßmann (1987), Romanze for violoncello, strings and piano (arr. for cello and piano)

David Tretjak began his musical career at the Slovenj Gradec Music School with Prof. Martin Šmon. He has won several gold plaques and prizes at Temsig and other international competitions (Svirel, Varaždin Woodwind & Brass). He continued his studies in Velenje with Prof. Gregor Dvorjak, at the Ljubljana Conservatory of Music and Ballet under Prof. Robert Prednik, and is now studying at the Academy of Music in Ljubljana in the class of Prof. Boštjan Lipovšek. He won a gold plaque and first and second prizes at the Temsig national competition (2020 and 2023). He regularly performs with orchestras such as the Academy of Music Symphony Orchestra, the RTV Slovenia Symphony Orchestra, the Academy of Music Wind Orchestra and the Slovenian Philharmonic Orchestra. In the academic year 2024/25 he took part in an ERASMUS exchange in Düsseldorf, studying under Prof. Mahir Kalmik. He has furthered his knowledge with renowned professors, including Radovan Vlatković, Andrej Žust, Szabolcs Zapléni and Raimund Zell. 

Pianist Maja Klinar graduated from the Academy of Music in Ljubljana in the class of Prof. Aci Bertoncelj. During her studies, Klinar attended international courses, among others with Prof. Pierre Sancan. She is an artistic associate at the Academy of Music in Ljubljana and is also engaged in teaching. As a piano accompanist, she regularly takes part in masterclasses locally and internationally.

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Ana Miculinić was born in 2004 in Rijeka, Croatia. She graduated from lower and secondary music school in the class of Prof. Mauro Šestan. She is currently studying at the Academy of Music in Ljubljana under Prof. Gal Faganel. As a cellist, she won first prize at the international competition Daleki akordi in Split in 2019 and first prize in the fifth category at the same competition in 2023. In 2020, she won the first prize at the HDGPP regional competition. In 2022, she was the winner of the Croatian national competition for music and dance students in the fifth category. She was also awarded the prestigious educational prize in Croatia – the Oscar of Knowledge 2022. In the same year she was also selected for the EMARS seminar and performed as a soloist with the Slovenian Philharmonic Chamber Orchestra. Last year she was awarded the first prize at the Rudolf Matz International Competition, the award included performances with the Zagreb Chamber Orchestra in the 2024/25 concert season. Last year she performed Variations on a Rococo Theme by Pyotr Ilyich Tchaikovsky with the RTV Slovenia Symphony Orchestra and the Split Virtuosi in Dalmatia (Croatia). She regularly hones her skills at seminars in Slovenia, Croatia, Italy, Austria, Hungary and Denmark. 

Croatian pianist Sven Brajković has already established himself as an up-and-coming concert pianist. Taking part in more than forty regional, national and international competitions, he won twenty first prizes. He regularly performs at renowned festivals in Croatia, the Netherlands, America, Austria and Slovenia. After studying at the Academy of Music in Zagreb, he went on a student exchange to Hangzhou, China, and furthered his knowledge at the Ljubljana Academy of Music in the class of Prof. Serdar. He is a recipient of the Rector's Prize of the University of Zagreb and the Prešeren Prize of the University of Ljubljana. He is a regular accompanist at the Ljubljana Academy of Music.

Director: Urška Djukić
Screenplay: Urška Djukić, Maria Bohr 
Cinematography: Lev Predan Kowarski 
Editing: Vlado Gojun 
Cast: Jara Sofija Ostan, Mina Švajger, Saša Tabaković, Nataša Burger, Staša Popović, Mateja Strle, Saša Pavček 
Production: SPOK films, Staragara (Jožko Rutar, Miha Černec) 
English subtitles

Urška Djukić’s debut feature film Kaj ti je deklica premiered in Berlinale’s Perspectives Competition this February. Perspectives, Berlinale’s a new international competitive strand for fiction feature debuts, shines a spotlight on new filmmakers. The features represent an international range of voices who have a bold and fluent cinematic language and offer arresting perspectives and new ways of seeing the world.

The film focuses on introverted 16-year-old Lucia, who joins her Catholic school’s all-girl choir, where she befriends Ana-Maria, a popular and flirty third-year student. But when the choir travels to a countryside convent for a weekend of intensive rehearsals, Lucia’s interest in a dark-eyed restoration worker tests her friendship with Ana-Maria and the other girls. As she navigates unfamiliar surroundings and her budding sexuality, Lucia begins to question her beliefs and values, disrupting the harmony within the choir.
 

The film is co-produced by Staragara IT (Italy), 365 Films (Croatia), Non-Aligned Films (Serbia), and Nosorogi and OINK (both Slovenia). The associate producer is Sister Production (France).

The film is supported by the Slovenian Film Centre, Eurimages, RTV Slovenija, Viba Film, Ministero di Cultura – Direzione Cinema e Audiovisivo in Italy, FVG Flm Fund, FVG Film Commission, Croatian Audiovisual Centre, Film Centre Serbia, RE-ACT Joint Development Fund, Region Nouvelle Aquitaine and Creative Europe MEDIA. The film is sponsored by Arri’s International Support Program and GO Nova Gorica/Gorizia European Capital of Culture 2025.

Urška Djukić – filmography (selection)
Dober tek, življenje! (2016, kratki), Lovka (2019, kratki), The Right One (2019, kratki), Babičino seksualno življenje (2021) 

Screenplay: Slobodan Maksimović 
Cinematography: Rožle Bregar 
Editing: Jurij Moškon 
Cast: Zoran Predin, Oto Rimele, Karpo Godina, Boris Bele, Đorđe Balašević, Boris Cavazza, etc. 

An emotional and inspiring biopic, Praslovan follows the life and career of Zoran Predin, one of former Yugoslavia’s most important singer-songwriters. The film traces Predin’s journey from his youth in Maribor, where he started playing music, to the height of his fame with the band Lačni Franz and his solo career, which made him a music scene icon.

Slobodan Maksimović – filmography (selection)
Štiri skice za portret Janeza Drozga (2008), Hvala za Sunderland (2012), Tehnika ljudstvu (2015), Od Soče do Sočija (2015), Nika (2016), Kapa (2022) 

Written by: Rajko Grlić, Matjaž Ivanišin 
Photography: Matjaž Ivanišin, Lev Predan Kowarski, Darko Sinko, Rajko Grlić, Marko Brdar, Marko Cafnik, Matjaž Mrak
Music: Drago Ivanuša 
Production: Vertigo

A documentary about the making of the theatre performance Boris, Milena, Radko and the four very famous people behind the production, the writer and director Dušan Jovanović, the actress Milena Zupančič and the actors Radko Polič and Boris Cavazza; a story about a love triangle and the multi-layered, entirely undisguised interlacement of the protagonists’ public personas and personal lives.
 

Moderated by: Ana Scnhabl

Colombe Schneck is a French journalist, filmmaker, and writer. Born in 1966 into a Parisian-Jewish family, she went on to study at the Institut d’Etudes Politiques de Paris and Université de Paris II, and to work for various French media outlets such as Canal+, i>Télé, and France Inter until 2012. She directed two documentaries, and two feature-length films: Femmes sans enfant, femmes suspect in 2014, and Vieux amoureux in 2015. 

Her entry into the world of writing was an accident. While leafing through a magazine, she happened upon an article that described the sordid circumstances of her grandfather’s death, who was murdered by his lover. This not only inspired Colombe to write her first novel but also set her on her path towards a style of writing that is obsessed with family secrets, as well as uncovering the Jewish experience during World War II. She is an award-wining author of eleven books of fiction and non-fiction. Schneck’s diptych on a woman’s life, exploring the issues of sexuality, femininity, friendship and loss, was published in spring 2024 (No! Press).

Written by: Kenneth Branagh, after William Shakespeare
Cinematography: Alex Thomson 
Music: Patrick Doyle 
Cast: Kenneth Branagh, Julie Christie, Kate Winslet, Judi Dench, Gérard Depardieu, John Gielgud, Jack Lemmon, Robin Williams... 

The only unabridged cinematic adaptation of Hamlet. Kenneth Branagh’s version is famous for being the only integral version of the play, running just over four hours. Branagh makes bold directorial choices, putting his unique stamp on the adaptation, a lavishly produced spectacle set in the 19th century but retaining the original Elizabethan English. 

Branagh’s version is faithful to the original play, published in 1623, but uses modern narrative techniques, numerous flashbacks, to variegate the narrative and depict scenes that are only described in Shakespeare but not performed, such as Hamlet's childhood friendship with Yorick, or scenes that the play only alludes to, such as Hamlet's sexual relationship with Ophelia. 

Hamlet premiered at the 1996 Cannes Film Festival and went on to win four Academy Award nominations. It will be screened in two parts with an intermission.
 

Patricija Maličev in conversation with Jovanović's colleagues and companions – Milena Zupančič, Saša Pavček, Bjanka Adžić Ursulov and Ljubiša Ristić.

Production of the exhibition Dušan Jovanović – Cultural Terrorist: Slovenski gledališki inštitut (Slovenian Theatre Institute) and Cankarjev dom
 

Written by: James Mangold, Jay Cocks, based on Elijah Wald’s Dylan Goes Electric! 
Cinematography: Phedon Papamichael 
Cast: Timothée Chalamet, Elle Fanning, Edward Norton, Monica Barbaro, Scoot McNairy 
Distribution: Blitz

Mangold’s biopic follows Minnesota musician Bob Dylan's meteoric rise as a folk singer, from the early 1960s when he arrived in New York to visit the ailing Woody Guthrie, to concert halls and the top of the charts – culminating in his groundbreaking electric rock and roll performance at the Newport Folk Festival in 1965. 
Dedicated to the formative years of the "voice of a generation", with lead actor Timothée Chalamet performing Dylan’s songs himself, the musical drama focuses on the era-defining star’s early complicated romantic relationships with Sylvie Russo and Joan Baez, as well as his relationship with his fans and the press, which he made a point of avoiding. 

Screenplay: Laila Stieler
Cinematography: Judith Kaufmann
Cast: Liv Lisa Fries (Hilde Coppi), Johannes Hegemann (Hans Coppi), Lisa Wagner (Anneliese Kühn), Alexander Scheer (duhovnik Harald Poelchau), Emma Bading (Ina Ender-Lautenschläger), Sina Martens (Libertas Schulze-Boysen), Lisa Hrdina (Grete Jäger), Lena Urzendowsky (Liane Berkowitz), Hans-Christian Hegewald (Albert Hößler), Nico Ehrenteit (Harro Schulze-Boysen), Jacob Keller (Heinrich Scheel)
Producent: Pandora Film Produktion
Distribution: Cinemania
 

A drama based on the lives of real Nazi resistance fighters, foregrounding the quiet strength of a young woman defying the regime in Nazi prisons with a principled stand and a belief in human kindness.

Berlin, 1942. The inconspicuous, kind and compassionate Hilde with no interest in politics to speak of, gradually finds her place in the resistance group which will come to be known as the "Red Orchestra". Hilde falls in love with the slightly shy Hans, flourishes and, in spite of the constant danger to her life, is happy for a summer. When the Gestapo arrest members of the group in the autumn, the pregnant Hilde is among their number. In prison, she develops unexpected strength, giving birth to her son and keeping the memory of her beloved husband alive. With her principled moral stand, Hilde becomes the face of all those Germans who refused to embrace the delusional ideology of the Third Reich.